Established in 1966, ³Ô¹ÏÍø Atlantic Opera Theatre ranks among ³Ô¹ÏÍø’s longest-standing opera training programs. Under the direction of Associate Professor of Voice Dr. Mitchell Hutchings, the program remains focused on strong academic preparation and meaningful performance experience, while preparing students for the demands of 21st-century opera through a balance of tradition, crossover repertoire, modern technology, and active collaborations.
Housed within ³Ô¹ÏÍø, a Research 1: Very High Research institution ranked among the nation’s top 100 public universities, ³Ô¹ÏÍø Atlantic Opera Theatre is also FAU’s first international performing ensemble. ThroughÌý , singers can earn college credit in a faculty-led education abroad program integrating vocal performance, Italian language study, lyric diction, opera repertoire, cultural immersion, and international collaboration with the Conservatorio Giacomo Puccini La Spezia.
The program places primary emphasis on solo vocal performance, with students working on operatic, musical theatre, commercial music, and crossover repertoire under the direct guidance of our faculty. Beyond developing vocal expression and technical skills, students receive training in acting, stage movement, dramatic portrayal, and stylistic communication across repertoire.
Collaboration is central to our work. Students rehearse with directors, conductors, dancers, and pianists, creating an environment built on shared artistic growth. Our relationships with opera organizations at the local, national, and international levels support regular master classes and workshops on campus. These visits provide students with direct access to a wide range of artistic approaches and professional insights.
Students in the Bachelor of Music in Vocal Performance and Master of Music in Vocal Performance programs receive comprehensive training in voice, opera, lyric theatre, language, and stage performance. Coursework and performance opportunities prepare singers for professional careers, advanced study, or international artistic work.
Vocal Performance Degree at ³Ô¹ÏÍø Atlantic The Vocal Performance curriculum is designed to support the artistic, technical, linguistic, and professional development of each singer. Students focus on solo vocal technique, acting, movement, audition skills, dramatic interpretation, language and diction, vocal pedagogy, and repertoire from the Baroque era through contemporary works. Each semester includes public performances featuring opera, operetta, zarzuela, musical theatre scenes, or fully staged productions.
Voice majors study with experienced artist-faculty and rehearse in a collaborative environment alongside directors, conductors, pianists, choreographers, and guest clinicians. ³Ô¹ÏÍø Atlantic singers receive individualized guidance to support artistic growth, technical development, and long-term vocal health.
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21st-Century Vocal Performance Training ³Ô¹ÏÍø Atlantic’s approach to vocal performance reflects the evolving demands of 21st-century singers while supporting a relevant, rigorous academic experience rooted in performance, language, and professional preparation. In addition to traditional opera and lyric theatre training, students engage with language study, diction, vocal pedagogy, arts entrepreneurship, crossover repertoire, and technology-informed performance. These areas support singers as they prepare for graduate study, professional performance, teaching, and creative work across a changing musical landscape.
Through public performances, staged productions, FAU Opera in Italy, and international collaborations, students gain hands-on experience that connects classroom study with artistic practice. This work supports vocal development while also contributing to ³Ô¹ÏÍø Atlantic’s broader engagement with arts, culture, creative innovation, and career-ready education.
2026 to 2027 Opera Season at ³Ô¹ÏÍø Atlantic To be announced October 2026 Location: University Theatre (Boca Raton)
To be announced March 2027 Location: University Theatre (Boca Raton) Tickets:
Opera in Italy Education Abroad Program Spend four weeks on the Italian Riviera studying opera, Italian language, diction, and performance while earning up to 10 university credits through ³Ô¹ÏÍø. May 18–June 18, 2026 Location: Italian Riviera | La Spezia, Italy
Students study Italian language, vocal performance, diction, and opera repertoire while working directly with faculty from around the world in collaboration with the Conservatorio Giacomo Puccini La Spezia. Participants perform in concerts, attend master classes, and experience Italian musical culture while earning academic credit through ³Ô¹ÏÍø. The program is designed as an integrated academic experience in which vocal technique, Italian language, diction, repertoire, dramatic interpretation, and cultural context are studied together. This structure allows singers to connect classroom learning with performance practice while earning academic credit through ³Ô¹ÏÍø.
Students can learn more about the FAU Opera in Italy education abroad program, including dates, academic credit, and program details, at
Guest Artists, Clinicians, and International Collaborators Recent visitors include international singers, pedagogues, pianists, conductors, and composers Pedro A. Arroyo, tenor Chantal Balestri, pianist Lindsey Blackhurst, soprano Manuel Castillo, tenor Ray Chenez, countertenor Rachel Copeland, soprano Esha Datta, soprano Jennifer Davison, soprano Saundra DeAthos, soprano Sara Duchovnay, soprano Martha Eason, soprano Matt Edwards, baritone Donald George, tenor Clay Hilley, heldentenor Kim Josephson, baritone Joanna Latini, soprano & arts administrator Marcello Lippi, baritone Michela Lombardi, jazz vocalist Desiree Maira, mezzo-soprano Harold Meers, tenor Marina Melaranci, mezzo-soprano Fabio Menchetti, pianist Andrew Potter, bass Karen Roethlisberger Verm, pianist Dilan Åžaka, mezzo-soprano Ana Seixas, soprano Helen Tintes, mezzo-soprano Craig Verm, baritone
Recent Opera, Operetta, Zarzuela, and Musical Theatre Productions at ³Ô¹ÏÍø Atlantic , Engelbert Humperdinck
*, Pietro Carlo Guglielmi , Gian Carlo Menotti
*, Hildegarda von Bingen, Llibre Vermell de Montserrat, and Anonymous Texts , Burnand and Sullivan , Charles Dibdin , Claudio Monteverdi
, Rimsky-KorsakovÌý
, Gian Carlo Menotti
, Giovanni Battista Pergolesi The Impresario, Wolfgang Amadeus Mozart
*Funded in part by the European Union and Italy's Ministry of Education, Universities and Research
