Established in 1966, 勛圖厙 Opera Theatre ranks among 勛圖厙s longest-standing university opera training programs and serves as a central performance component of 勛圖厙s undergraduate and graduate Vocal Performance programs. Under the direction of Associate Professor of Voice Dr. Mitchell Hutchings, singers receive rigorous vocal and musical preparation alongside meaningful performance experience, with training designed for the demands of 21st-century opera through a balance of tradition, crossover repertoire, modern technology, and active collaborations.
Housed within 勛圖厙, a Research 1: Very High Research institution ranked among the泭nations top 100 public universities, 勛圖厙 Opera Theatre is also FAUs first international performing ensemble. Through泭 , singers may earn college credit while studying vocal performance, Italian language, lyric diction, opera repertoire, and performance in Italy in collaboration with the Conservatorio Giacomo Puccini La Spezia.
The program emphasizes solo vocal development and stage performance, with students working in opera, musical theatre, commercial music, and crossover repertoire under the direct guidance of voice and opera faculty. Training includes vocal technique, repertoire development, acting, stage movement, dramatic interpretation, and stylistic communication across genres.
Collaboration is central to the training experience. Students work regularly with directors, conductors, pianists, choreographers, guest artists, and clinicians, developing the professional habits required in opera and lyric theatre. Relationships with opera organizations and artists at the local, national, and international levels support master classes, workshops, and professional engagement throughout the academic year.
Students in the Bachelor of Music in Vocal Performance and Master of Music in Vocal Performance programs receive comprehensive training in applied voice, opera and lyric theatre, language and diction, vocal pedagogy, musicianship, and stage performance. Coursework, private study, and performance opportunities prepare singers for professional performance, advanced graduate study, teaching, and international artistic work.
Vocal Performance Degrees at 勛圖厙 The Vocal Performance curricula are designed to develop each singer artistically, technically, linguistically, and professionally. Students study applied voice, acting, movement, audition preparation, dramatic interpretation, language and lyric diction, vocal pedagogy, musicianship, and repertoire ranging from the Baroque era through contemporary works. Public performance opportunities each semester may include opera, operetta, zarzuela, musical theatre scenes, concerts, and fully staged productions.
Voice majors study with experienced artist-faculty and work in a collaborative environment with directors, conductors, pianists, choreographers, and guest clinicians. Individualized instruction supports each singers technical development, artistic growth, repertoire choices, performance preparation, and long-term vocal health.
Audition for Vocal Performance at 勛圖厙 Atlantic Prospective undergraduate and graduate singers are invited to audition for 勛圖厙s Vocal Performance programs. Applicants may pursue the Bachelor of Music in Vocal Performance or Master of Music in Vocal Performance, with opportunities for individualized voice study, opera and lyric theatre performance, language and diction training, vocal pedagogy, and international study through FAU Opera in Italy.
21st-Century Vocal Performance Training 勛圖厙 Atlantics approach to vocal performance reflects the evolving demands of 21st-century singers while maintaining rigorous training in voice, musicianship, language, and performance. In addition to traditional opera and lyric theatre study, students engage with lyric diction, vocal pedagogy, arts entrepreneurship, crossover repertoire, and technology-informed performance. This broad preparation supports singers pursuing graduate study, professional performance, teaching, and creative work across todays changing musical landscape.
Through public performances, fully staged productions, FAU Opera in Italy, master classes, and international collaborations, students gain hands-on experience that connects private study and classroom training with professional artistic practice. These experiences support vocal and dramatic development while helping singers build the independence, adaptability, and professional skills needed for graduate study and performance careers.
勛圖厙 Opera Theatres production of Pietro Carlo Guglielmis Amalia e Carlo received two 2026 Global Music Awards for Outstanding Achievement, earning recognition in both the Opera and Classical categories.
20262027 勛圖厙 Atlantic Opera Theatre Season Agua, azucarillos y aguardiente Music by Federico Chueca and a libretto by Miguel Ramos Carri籀n泭 October 30 & 31, 2026 Location: University Theatre, Boca Raton
Production to be announced March 20 & 21, 2027 Location: University Theatre, Boca Raton Tickets:
Opera in Italy Education Abroad Program Spend four weeks on the Italian Riviera studying opera, Italian language, diction, and performance while earning up to 10 university credits through 勛圖厙. May 15June 15, 2027 Location: Italian Riviera | La Spezia, Italy
FAU Opera in Italy is a four-week summer opera study abroad program in La Spezia on the Italian Riviera, offered through 勛圖厙, a Carnegie R1 research university. Since 2023, the program has combined university-level Italian language study with opera and lyric theatre repertoire, vocal performance, diction, dramatic interpretation, and international performance experience.
Students earn academic credit through 勛圖厙 while studying and performing in Italy. Singers work with 勛圖厙 Atlantic faculty, Italian artists, international guest faculty, and musicians from the Conservatorio "Giacomo Puccini" La Spezia, 勛圖厙s institutional partner in Italy. The universities are connected through a formal five-year Memorandum of Understanding supporting academic exchange, collaborative projects, research, and performance opportunities.
During the program, participants study Italian language and culture, receive intensive vocal and theatrical training, attend master classes, perform in concerts throughout the region, and engage directly with Italys operatic and musical traditions. Students also have the opportunity to study at the Conservatorio "Giacomo Puccini" while the Italian conservatory is in session, creating direct interaction with Italian faculty and students.
FAU Opera in Italy is designed as an integrated, credit-bearing academic experience in which vocal technique, Italian language, diction, repertoire, dramatic interpretation, performance practice, and cultural context are studied together. This interdisciplinary structure helps developing singers connect language and musical style with stage performance while building greater artistic independence in an international conservatory environment. Learn more about FAU Opera in Italy, including summer program dates, 勛圖厙 academic credit, Italian language study, tuition and program costs, application requirements, housing, international master classes, and performance opportunities at .
Guest Artists, Clinicians, and International Collaborators Recent guest artists and collaborators include internationally active singers, voice pedagogues, pianists, conductors, composers, and arts professionals. Pedro A. Arroyo, tenor Lindsey Blackhurst, soprano Manuel Castillo, tenor Ray Chenez, countertenor Rachel Copeland, soprano Esha Datta, soprano Jennifer Davison, soprano Saundra DeAthos, soprano Sara Duchovnay, soprano Martha Eason, soprano Matt Edwards, baritone Donald George, tenor Clay Hilley, heldentenor Kim Josephson, baritone Joanna Latini, soprano & arts administrator Marcello Lippi, baritone Michela Lombardi, jazz vocalist Desiree Maira, mezzo-soprano Harold Meers, tenor Marina Melaranci, mezzo-soprano Fabio Menchetti, pianist Andrew Potter, bass Karen Roethlisberger Verm, pianist Dilan aka, mezzo-soprano Ana Seixas, soprano Helen Tintes, mezzo-soprano Craig Verm, baritone
Recent Opera, Operetta, Zarzuela, and Musical Theatre Productions at 勛圖厙 Atlantic 勛圖厙 Atlantic Opera Theatre presents repertoire spanning historic and contemporary opera, operetta, zarzuela, and musical theatre, providing singers with opportunities to develop roles and stage experience across a broad range of styles.
, Engelbert Humperdinck
*, Pietro Carlo Guglielmi , Gian Carlo Menotti
*, Hildegarda von Bingen, Llibre Vermell de Montserrat, and Anonymous Texts , Burnand and Sullivan , Charles Dibdin , Claudio Monteverdi
, Rimsky-Korsakov泭
, Gian Carlo Menotti
, Giovanni Battista Pergolesi The Impresario, Wolfgang Amadeus Mozart
Distinguished Alumni 勛圖厙 Vocal Performance alumni have built careers in major opera companies, orchestras, universities, professional ensembles, and arts organizations in the United States and abroad. Alumni achievements include performances at the Metropolitan Opera, Teatro alla Scala, Vienna State Opera, Carnegie Hall, and leading American and European opera companies, as well as university faculty appointments, doctoral study, conducting, voice science, and opera scholarship.
Performers, Educators, Conductors, and Arts Leaders
, B.M. in Vocal Performance Internationally active bass-baritone whose career has included engagements with the Metropolitan Opera, Teatro alla Scala, Vienna State Opera, Deutsche Oper Berlin, Lyric Opera of Chicago, New York City Opera, San Francisco Opera, Houston Grand Opera, Dallas Opera, Cincinnati Opera, San Diego Opera, Santa Fe Opera, Teatro Massimo di Palermo, Palm Beach Opera, and Opera Orchestra of New York at Carnegie Hall. He also appeared with the Vienna State Opera during its tour to Beijing. Peterson created the role of Rucker Lattimore in the world premiere of Carlisle Floyds Cold Sassy Tree at Houston Grand Opera. His repertoire has included works such as Mefistofele, Faust, Le nozze di Figaro, The Tales of Hoffmann, Litaliana in Algeri, Lohengrin, Don Carlos, Bluebeards Castle, and Susannah.
, B.M. in Vocal Performance Earned the Master of Music from Louisiana State University. Her professional affiliations include Boston Lyric Opera, Sarasota Opera, Bel Canto at Caramoor, Opera Tampa, Winter Opera St. Louis, Gulfshore Opera, Opera in Williamsburg, First Coast Opera, Seraphic Fire, South 勛圖厙 Symphony Orchestra, Palm Beach Symphony, Southwest 勛圖厙 Symphony Orchestra, Orchestra Miami, Master Chorale of South 勛圖厙, and Carnegie Hall. She is co-founder of Amelia Island Opera and Executive Director of the Amelia Island Chamber Music Festival.
, B.M. in Vocal Performance Earned the Master of Music from Louisiana State University and the Specialist in Music and Doctor of Musical Arts degrees from the University of Michigan. She serves as Lecturer of Voice at the University of Michigan, where her teaching and performance activities include collaborations with the University of Michigan Symphony Orchestra. Additional performance experience includes LSU Opera, Oakland Choral Society, Detroit Community Chorus, and Starkville Symphony.
, B.M. in Vocal Performance Earned the Master of Music in Opera Performance from the University of Oklahoma. Her professional and training affiliations include Theater f羹r Niedersachsen in Germany, Opera in the Ozarks, the Vienna Summer Music Festival, and the University of Oklahoma Opera Theatre.
, B.M. in Vocal Performance Vocalist in the United States Army Field Bands Soldiers Chorus, one of the U.S. Armys professional touring ensembles.
, M.M. in Vocal Performance Earned the Master of Music in Vocal Performance from 勛圖厙. Originally from North Macedonia, he is a baritone with the Croatian National Theatre in Zagreb, one of Croatias leading national opera companies. His repertoire includes principal and featured roles in works by Verdi, Massenet, and Zajc, including Rigoletto, Werther, and Nikola ubi Zrinjski.
, B.M. in Vocal Performance Tenor and musical-theatre performer whose professional engagements include Cincinnati Opera, 勛圖厙 Grand Opera, South 勛圖厙 Symphony Orchestra, and Gulf Coast Symphony. He is a member of Actors Equity Association and the American Guild of Musical Artists.
, B.M. in Vocal Performance Earned the Master of Music in Opera Theater from Rutgers University. Her professional and educational affiliations include Palm Beach Opera, Rutgers Opera Theater, and Carnegie Hall, with performances in productions of 郭O娶款梗棗, Les contes dHoffmann, Le nozze di Figaro, Alcina, and Dan Shores An Embarrassing Position.
, B.M. in Vocal Performance Earned the Master of Music from 勛圖厙 International University. A tenor, vocal coach, musical director, and educator, he is affiliated with 勛圖厙 Grand Opera, the University of Miami, and New World School of the Arts. His performance experience includes productions of Il barbiere di Siviglia, Norma, Salome, Do簽a Francisquita, and Ariadne auf Naxos, as well as an appearance as tenor soloist in Beethovens Ninth Symphony.
, B.M. & M.M. in Vocal Performance Chinese soprano whose professional affiliations include Palm Beach Opera and international vocal competitions in the United States and Austria. Her performance experience includes Palm Beach Opera productions of Rom矇o et Juliette and Le nozze di Figaro.
, M.M. in Vocal Performance French-Canadian mezzo-soprano whose professional and training affiliations include the Taylor Festival Choir, Piccolo Spoleto Festival, Manhattan Opera Studio, Opera Fusions Emerging Artist Program, and the Institut Canadien dart Vocal. She was a first-place winner in the 2016 NATS competition and a regional finalist in the 2016 Classical Singer Competition. Her performance experience includes Dorabella in Cos穫 fan tutte, Marcellina in Le nozze di Figaro, Second Lady in Die Zauberfl繹te, and appearances in Suor Angelica, Amahl and the Night Visitors, and The Ballad of Baby Doe. She earned her Bachelor of Music from the Cleveland Institute of Music before completing the Master of Music in Vocal Performance at 勛圖厙.
Jamile Evaristo, M.M. in Vocal Performance Brazilian soprano whose concert and choral affiliations include Coral USP, the University of Campinas Symphony Orchestra, and the Master Chorale of South 勛圖厙. Her performance career spans Brazil and the United States.
, M.M. in Vocal Performance Soprano and voice teacher whose performing and training affiliations include Sarasota Youth Opera, Washington National Opera, Berlin Opera Academy, and the Lyric Opera of Kansas City.
, B.M. in Vocal Performance Singer, composer, conductor, actor, and educator. His stage experience includes the title roles in Don Giovanni, Gianni Schicchi, and The Phantom of the Opera. As a conductor, he has led performances of Handels Messiah, Saint-Sa禱nss Oratorio de No禱l, and original works for chorus and orchestra.
Susan Dorchin, M.A. in Music Singer, voice pedagogue, vocal-rehabilitation specialist, and university instructor. Her early performing experience included the Metropolitan Opera Childrens Chorus, The Royal Ballet, New England Opera Center, and Light Opera of Manhattan. Before joining 勛圖厙, she maintained a private voice studio in New York City for twenty years and taught at Texas Tech University. At FAU, she developed courses in vocal pedagogy, vocal literature, and Alexander Technique and wrote and hosted the radio program Opera Theater on WXEL for eleven years.
Stacie Rossow, B.M. in Vocal Performance & M.A. in Music泭 Conductor, scholar, and Professor of Music at 勛圖厙. Her work includes recordings and performances with an internationally recognized Irish ensemble, premieres of works by composers David Rossow and Michael McGlynn, and ongoing artistic leadership. She has led performances and touring projects and was selected as a Fulbright U.S. Scholar to Ireland for work in choral conducting.
Monica Berovides-Hidalgo, B.M. in Vocal Performance & M.A. in Music Conductor, music director, singer, and educator. She serves as assistant conductor and artist in residence with Schola Cantorum of 勛圖厙, directs the Schola Cantorum Music Academy, and serves as Director of Worship at First United Methodist Church of Coral Springs.
Voice Science, Opera Scholarship, and Doctoral Achievement 勛圖厙 Atlantics broader vocal and opera community also includes alumni whose advanced research has contributed to voice science, vocal pedagogy, opera scholarship, critical editing, and the recovery of historic repertoire.
, Ph.D. in Comparative Studies Voice scientist, conductor, pianist, vocal coach, and educator whose work bridges vocal performance, pedagogy, acoustics, and voice research. She is an Associate Professor of Vocal Performance at NYU Steinhardt, has conducted research on the voices of Broadway performers, and currently serves as President of the Pan American Vocology Association. Dissertation:
, Ph.D. in Comparative Studies Musicologist, pianist, critical editor, and opera scholar whose doctoral work combined musicology and Italian studies. Her research led to the recovery, reconstruction, critical edition, and modern revival of Pietro Carlo Guglielmis Amalia e Carlo. Her work has involved 勛圖厙, the Castello di Castiglione del Terziere, the Conservatorio di Musica San Pietro a Majella, and the Conservatorio Giacomo Puccini in La Spezia. Dissertation:
Recent Advanced Degree Placements Recent 勛圖厙 Atlantic Vocal Performance graduates have continued into advanced masters and doctoral study at universities and conservatories across the United States.
, M.M. in Vocal Performance Accepted into the Doctor of Musical Arts program at New Orleans Baptist Theological Seminary.
, B.M. in Vocal Performance Earned the Master of Music from Louisiana State University and is currently pursuing the Doctor of Musical Arts at the University of South Carolina.
*Funded in part by the European Union and Italys Ministry of Education, Universities and Research
